Showing posts with label kid cudi. Show all posts
Showing posts with label kid cudi. Show all posts
Posted by Ben on 7/29/2009 02:41:00 PM


It was the end of June when I noticed that The Great Hangover Tour, headlined by Kanye West protege, Kid Cudi, and for lack of a better description, the college-loving Asher Roth, would make a stop at the House of Blues on the Sunset Strip in Los Angeles. Later on, after I had eased my way into summer and completed the items on my mental to-do list, which primarily consisted of swimming, I bought my tickets (funny story: on Ticketmaster I was told that the event was sold out. After I had a small panic attack, I called up the venue and was told there were still tickets and they posted them online - thank you, Morse, for creating phones). It wasn't too long before Sunday, July 26th arrived.

Before heading out to the venue, I discovered that the opening acts were actually other rappers, contrary to my prior belief that a DJ would hype up the crowd. The first to come on was a local rap group of three singers, Pacific Division or Pac Div for short. While my cousin and I made fun of the group's name, our expectations were probably too low as the profane trio spit their lyrics. My favorite song by the group, "Mayor", which reminded me of Kidz In the Hall's "Drivin Down the Block", included a a few sports references as well: "Joe Frazier, second round knockout...Pullin’ h*es since Bo Jackson was a Raider...your boy hustle hard like Rambis for the Lakers." Even though they weren't the most extraordinary rappers on the planet - cursing every other word hardly qualifies as music - these boys didn't disappoint and for that, I give them a good rap.

Next up was B.o.B. (a.k.a. Bobby Ray) who was not only a humorous performer, but a very talented musician, indeed. I hadn't heard any of his tracks, or any of Pac Div's for that matter, and I was extremely impressed by the quality of his music and the potential that the man has. Once he had sang several tunes, the only special guest of the night, Playboy Tre, a well-rounded rapper with a high voice, joined in for a few jams. Among the better duets was "Voltage", with a catchy chorus and a classy beat. His set was amazing, but if I could go back in time to one song it would undoubtedly be "I'll Be In the Sky", which was very well-produced and got the crowd loose.

When B.o.B.'s time to shine came to a close, the headliner, the one-and-only Kid Cudi stole the show. The Ohio native opened with "Dat New New", the perfect song to adjust the crowd's ear from the discography of previous acts. Although there were no special guests (where's Wale?), Kanye and Common weren't necessary to get the crowd's hands up for "Make Her Say." As promised, Cudi mixed up the set list with songs from his upcoming album, Man on the Moon, as well as spicing things up with his mixtape work. He surely didn't disappoint me when he played my favorite song off of "A Kid Named Cudi" mixtape, "Embrace the Martian", which, despite the fact that it seemed short, energized the audience. I believe he followed that up with "Is There Any Love?" and had the crowd lyricing for the duration of the song.



Of course, Cudi made sure to pace the night out with the Ratatat-influenced "Heaven at Nite," completely changing the mood from somewhat hyphy to chill. Nevertheless, the fans in the building were soon uplifted by the N.E.R.D.-sampled, "Cudi Spazzin", easing the spectators out of a relaxed euphoria. The climax of the night approached when Cudi's hit single, "Day N Nite", was played three times - remixed, of course. At that point, everyone in the House of Blues either had their hands up, was dancing, drunk, or some combination of the above. Honestly, I don't think Kid Cudi could've played a better set.

Whether it was Pac Div making a Lakers reference, B.o.B. with his back-up singers, or Cudi asking the crowd to "make some noise for the water stain on my shirt", it was definitely a sick show and a must-see for any fan of rap.

Quick shout-out to JTPesos and Jon for the ride and fun walk to and from the venue.

Revision: I forgot to mention Cudi signing his future hit and title track of his upcoming album "Man on the Moon." It was probably the peak of relaxation, with lullaby-like singing from Cudi. To quote the song, the atmosphere felt a little "hazy, hazy, hazy".

Posted by ulysses89 on 4/15/2009 07:31:00 PM


Hi! This is my first post for Halftime Hype, and I'm going to go over this week's iTunes top10, which is a pretty good indicator of today's most popular music.

At #10 we have "You Found Me," the latest pop-rock hit from mainstream band The Fray. It's a decent song, with a nice piano intro, but it comes off a bit cliche, and doesn't compare to their older hits, such as "How to Save a Life" or "Over My Head." 8/10

#9 this week is "Kiss You Thru the Phone," by upstart rapper Soulja Boy. Soulja Boy made it big last year when he came out with "CRank that", a very simplistic rap hit that inspired a very annoying yet popular dance. Kiss You is an even worse song, with cliche synths, a forgettable chorus by Sammi, some unknown R&B singer, and some absolutely horrible lyrics from the 16 year old rapper. "Baby, I know that you like me / You my future wifey." Overall, it's a terrible song. 4/10

#8 is "Day N' Nite," a spacey hip hop electro jam by Kid Cudi, Kanye West's latest protege. This song is not only catchy, but has thoughtful and original lyrics, with excellent production and a great hook. This is ten steps up from the last song I reviewed: its melodic, quality music, and a great addition to the rap catalogue on itunes. 9/10

#7 is the latest Miley Cyrus hit: "Hoedown Throwdown." In an attempt to channel her country roots, the teen disney star sings some ridiculous lyrics to a song that may very well be one of the worst country/pop crossover songs. It has a catchy, bouncy beat, yes, but the producer (whoever the lost soul may be) failed to bring together contemporary pop beats and hooks with awkwardly arranged blugrass fiddles and twangy instruments. Oh well, just another reason to hate Hannah Montana. 4.5/10

#6 is "Crazier," by country singer-songwriter Taylor Swift. I must say I have respect for Swift, as she writes her own songs, and produces catchy pop melodies without selling out to the latest pop producers as Miley Cyrus does. Its a nice waltzy ballad with a good arrangement. 8.5/10

#5 is "Right Round," another hit from pop-rap star Flo Rida. Interpolating a sample of "You Spin Me Round," Flo's producers create a catchy, synthezer laden backdrop for the rapper to spit his rapid lyrics over. It's OK as far as pop rap goes, but a rapper like Flo Rida can never compare to any of the greats, like 2pac, Biggie, T.I. Nas, or Kanye. 7.5/10

#4 is "Poker Face," another song by Lady GaGa. GaGa is a new electro-pop dance singer, and without much talent at all, most of her songs are boring, cliche, with dated production and stupid hooks. I wouldn't rate this song lower than a 7/10 if it weren't for her earlier hit, "Just Dance", which is almost identical to it, down to the beat and the exact same synthesizer hook. Desperate and a failure. 6/10

#3 is white rapper extraordinare Eminem's newest single, "We Made You." It isn't the party-starter rap posse jam that "Crack a Bottle," his first most recent single, was, but it's a decent track, with original production, and an OK hook from Jessica Simpson. Overall the lyrics remind me of the old Eminem, from the My Name Is days. I don't see the same genius, but it's a comeback for him, so I'm happy. 8.5/10

#2 is "The Climb," another song from Miley Cyrus. However, this song is much better than the former horrible song. The Climb is a floaty acoustic ballad with a good melody, and surprisingly impressive and mature vocals from Cyrus. If she continues in this vein of country-pop, I think she may gain some artistic dignity. 8/10

#1 is The Black Eyed Peas' newest single, "Boom Boom Pow," and I must say it's a very catchy and interesting track. The production is mostly very bare, but compelling, with a fast hip hop beat and a droning FX in the background. The band members all showcase their rhyming and singing skill, with a flew auto-tune flourishes. It's actually a pretty good song, with the reminder that it is cliche pop hiphop. Despite this, it's got a great hook and electro-dance breakdown with will.i.am showing off his trancey synths to turn the song around. If it were only a little bit more structured, for the song seems to be a bit like a moshpit of good ideas, it could be better. But I think the song is actually pretty good, and a hint of more decent songs to come from BLP perhaps. 8/10

So, there weren't that many great songs this week... I know, I was a bit mean to Soulja Boy and Lady GaGa but let's face it, they;re gonna be the death of music if good artists like Kid Cudi don't stop them. I hope next week shows a little bit more originality, but I may not post another iTunes review until some new trax surface.

Keep listening,
-Jeremy